WriterDuet App helps you collaborate on scripts


ScreenPlayPen LCC, the same folks behind ReadThrough.com (the screenwriting app that lets you hear what your script would sound like read aloud by actors), has just launched a new tool for screenwriters: WriterDuet.com. WriterDuet brings to life what many writing teams and rooms have probably already yearned for: a screenwriting answer to cloud-based Google Drive - one that allows for multiple authors access to a script, industry standard formatting, and seamless tracking of who changed what (and when). It's also free.

Unlike some other third party screenwriting apps, WriterDuet plays nice with screenwriting software you're already using. The app can both import and export Final Draft 8, Celtx, and Fountain files with zero formatting discrepancies, and spit out PDFs for your (or some intern's) reading pleasure. Other bells and whistles include scene-by-scene navigation, a simple set of keyboard shortcuts, and built in video chat for face time with remote collaborators. There's even a Grooveshark plug-in for those who prefer to write to their own soundtrack.

The only glitches: there appears to be no way to generate a title page or add numbers to the pages.

Do script readers use the "fan" test?

Erica asked via Twitter:

The physical act of "fanning" is falling by the wayside, since many of us now read scripts on screens instead of on paper. (My ability to perfectly "spine" a script - write the title on the side with a sharpie - is also obsolete.) But do script readers make immediate first impressions when we open a script? Sure.

Professional readers can't "toss" a script that gives a bad first impression; we're required to read the entire thing and write a synopsis and comments. However, a script with an unorthodox title page, a super long page count and/or obvious formatting mistakes does make me think that I'm probably in for an arduous day. Try to make your script appear as professional as possible; please don't give us a bad impression before we even start reading! Another thing to think about: why should we take a script seriously if it's clear the writer doesn't? So much information about screenwriting is available on the internet - Google is your friend!

One mistake is certainly not a reason to pass on a script - but in my experience, scripts with multiple superficial mistakes often have bigger deficiencies, too.

The book Erica's talking about is The Hollywood Standard, which I own and have found to be a helpful guide, especially for unusual situations (intercut flashback montages, anyone?). The best way to learn script format, though, is to read as many professional scripts as you can (see "download scripts" on the right side of this page).