Showing posts with label Life as a Script Reader. Show all posts
Showing posts with label Life as a Script Reader. Show all posts

Reading scripts on paper vs. on screen?

Bonnie writes: What's your opinion on paper vs. electronic submissions? I see that the Austin Film Festival allows submissions in paper or electronic form. I still love the feel of a book in my hands, so I don't always read off my Kindle.  It just seems like a different experience. Do you think there's a difference for the readers?  Do you find yourself relating differently to words on paper versus words on screen?

I've blogged a bit about how paper scripts are becoming obsolete for readers. I personally can't justify the expense or eco-unfriendliness of printing out scripts (and it doesn't help that my printer, which I bought because it's supposed to print two sides at once, crunches up paper in endless paper jams). I read almost all scripts on my laptop screen, which does kind of suck, but since I have to write notes (and often synopses) on scripts, it's most convenient for me to read the script while also keeping a Word document open. If I read a script on paper, I'll have to write notes with a pen and then transcribe them later, which seems extra time-consuming.


I do own a Kindle DX, which is perfect for simultaneously reading and browning oneself on a rooftop, but it doesn't allow me to make notes; I can only bookmark pages, which isn't all that helpful when I have to write extensive coverage. If I'm simply reading scripts for pleasure and don't need to write notes, the Kindle DX is great (the DX is larger than the original Kindle, and makes PDF scripts the perfect size for reading), but 95% of my reading is for work. On iPads (and Kindle Fires, probably) you can use apps to annotate documents, but I need to send official typed documents, not drafts with annotations. (Plus, the whole sunlight thing.) I hope to someday get a tablet for watching TV & movies while I'm at the gym, but that's a whole other multitasking conundrum.

I can't really speak to contests like the Austin Film Festival - I would think that they scan all the submissions in to have electronic records, so readers might read them electronically anyway (or, conversely, print out electronic submissions).

Ultimately, the "experience" of reading doesn't really cross my mind...I read hundreds of pages each week and need to write notes quickly!

Do script readers use the "fan" test?

Erica asked via Twitter:

The physical act of "fanning" is falling by the wayside, since many of us now read scripts on screens instead of on paper. (My ability to perfectly "spine" a script - write the title on the side with a sharpie - is also obsolete.) But do script readers make immediate first impressions when we open a script? Sure.

Professional readers can't "toss" a script that gives a bad first impression; we're required to read the entire thing and write a synopsis and comments. However, a script with an unorthodox title page, a super long page count and/or obvious formatting mistakes does make me think that I'm probably in for an arduous day. Try to make your script appear as professional as possible; please don't give us a bad impression before we even start reading! Another thing to think about: why should we take a script seriously if it's clear the writer doesn't? So much information about screenwriting is available on the internet - Google is your friend!

One mistake is certainly not a reason to pass on a script - but in my experience, scripts with multiple superficial mistakes often have bigger deficiencies, too.

The book Erica's talking about is The Hollywood Standard, which I own and have found to be a helpful guide, especially for unusual situations (intercut flashback montages, anyone?). The best way to learn script format, though, is to read as many professional scripts as you can (see "download scripts" on the right side of this page).